Fisterra Studio - Bios & Resumes

In my work I deal with the intersection between the organic natural world and industrial materials, thinking about how objects are manufactured and exist in this postmodern age. In creating sculptural installations I begin by amassing pieces of metal that I have forged into a shape.

I investigate the idea of mass production in metalwork by taking one standard stock size of metal and transforming it in one or more steps of cutting or forging in a direct, repetitive action. By using fire and force, I allow the metal to return to the organic quality of the ore. I am careful not to overwork a single part, but utilize the malleability of the material.

I question the ideas of craft, production and conceptual artwork by creating simple forms that require an excess of hand labor and a critical eye to arrange. I love the idea of work and the process of converting energy into a shape.

One singular shape used repeatedly evolves into a system, similar to organic or biological patterns. The arrangements allude to natural forms like fungus, hair or plants. The patterns and configurations shift between the micro and macro scale.

Some sets of forged and welded shapes are powder coated, adding to the use of industrialized materials and coatings. The bright colors change the perception of steel as a craft material into a sculptural one, and distinctly affect the way the pieces are read. Some of these works are hollow forms that sit on the floor or hang. Some are wall mounted iterations of shapes and patterns.